工作範圍︰組織女工、發展小組、推動婦女對權益認識、協助政策倡議。
應徵者，請以「組織零散就業女工的策略」為題撰文一篇，連同履歷和薪酬要求寄至：觀塘翠屏村翠櫻樓地下1-3號。
2009-06-22 – 2009-07-14
http://www.gciawards.org/edm/gcia_edm_kickoff_090624.html
Submission of the works: July 10 to Oct. 14
「啟德河的歡愉 ─ 公眾藝術計劃」
「Human Landscape ─ Building Community-Creativity & Creative Community-Building」
Interns will work in the large – scale community art project – “Kai Tak River: Human Landscape ─ Building Community-Creativity & Creative Community-Building”, which is initialed by 1a space. The project divided into 5 parts: research, exhibition, conference, workshops and publication.
Duties
i) Record all events under the project (mainly on exhibition, forums and workshops)
ii) Edit the documentation (photos, videos) into DVD (part of the project’s publication, it will be published at the end of the project)
Requirements
i) Familiar with photo and video shooting
ii) Familiar with computer software: Adobe premiere, illustrator, photoshop, encore and Final cut pro
iii) Working experience in art and culture related program is a plus
iv) Ability to work independently
v) Self-motivated, hardworking
Salary
Negotiable
Time
Start from Sep 2009
Enquire: Kiki Ho
Gallery Coordinator 1a space
t (852) 2529 0087
f (852) 2529 0072
info@oneaspace.org.hk
www.oneaspace.org.hk
The concept of Human Landscape – Building Community – Creativity & Creative Community-Building
A continuous cityscape of the Hong Kong city has been built over the last 150 years. The displacement of communities, street markets, historic landmarks, and traditional festivals by gated estates, mega-stores, glass towers and pop concerts is denying a time dimension of the city where any places or architectures over 30 years are old enough to be demolished and become collective memories of the city.
The proposed project is meant to conclude some of the curator’s (*Cheng Ping Hung) earlier creative community building exercises and personal involvement in social actions within local communities including Tai O, Lee Tung Street, St Francis Streets and particularly Kai Tak River. These acts were all relevant to bring forth an attention of the significance in civil rights, creative powers and public initiatives in transforming our immediate built environment. The directives of these experiences are bringing a new dimension for an alternative quality of life in our city including elements of community building, cultural sustainability, public education and creative spaces.
The project is intended to arouse the attention of human landscape in the long-term urban development of the Hong Kong city, by specifically studying Kai Tak River. It is meant to investigate the possibility of regaining a ground to balance conservation and development within our natural plus cultural landscape, with a community engagement among the creative urban design process.
Chalk Horse Art Center (Sydyney) in Para/Site Art Space (HK):
The Horn of Plenty: Excess and Reversibility
Installation/Performance by Bababa International: Smooth Interpersonal Relationships
24-28 June, 2009 at Para/Site Art Space (12pm-7pm) @ 4 Po Yan Street, Sheung Wan
From 24-28 June, Bababa International will be operating a small nail salon within the Para/Site Art Space, where any visitor will be able to sit down, take their shoes off, and experience a pleasurable (albeit slgihtly humorous) adventure. Their installation will combine jostling functionality, novel design solutions, soothing sound and assembled objects that will culminate in an aesthetically-unusual, ephemeral temple, dedicated to the maintenance and beautification of humanities’s most vital appendages (the hands and feet).
Enquiry: Dominique Chiu / Tel: +852 2517 4620
http://www.para-site.org.hk/
What Burn Never Return (WBNR) platform#8 – From Objective Map to Subjective Mapping
燃‧滅 平台#8：香港– 從客觀地域到勾勒個人領土27.6.2009 – 19.7.2009
Opening reception and live performance開幕及現場展演：26.6.2009, 7:30pm – 9:30pm
Artist藝術家：Alessandro Carboni (卡邦尼)
Symposium研討會：27.6.2009, 11am – 1pm
Workshops工作坊：27.6.2009, 2pm – 5pm ; 28.6.2009, 2pm – 5pm
Venue地點：1a空間│九龍土瓜灣馬頭角道63號牛棚藝術村14號室1a space │Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kln
Taking up the cross-disciplinary roles – an urban researcher, a media artist, a theorist and a software programmer – Carboni combines his artistic talents with his technical competencies. The exhibition will be the eighth platform after touring different cities from Europe to Asia. It is a site specific project, which studies the disappearing urban spaces in Hong Kong- Kai Tak River, Kowloon Walled City and To Kwa Wan. The project reflects the renewed recognition that space matters to cutting edge practices on urban and body transformation. By using the knowledge in both choreography and new media art, this project and its exhibition contribute to the articulation of a powerful concept/tool that links critical theory and ethical practice.
Italian artist Alessandro Carboni started his research on Kai Tak River and Nga Tsin Wai Village since May this year. He is delighted to share the fruits of his research with the public. As an extended inquiry, Carboni will also participate in the research project “Kai Tak River – Green Art” (title tentative), and exhibit his research project with other artists in the local mega art event October Contemporary.
*‘WBNR#8 – From Objective Map to Subjective Mapping’ is part of the project of ‘Kai Tak River: The concept of Human Landscape – Building Community –Creativity & Creative Community-Building’(Apr 2009 – Jun 2010).
Opening reception and live performance 開幕及現場展演 :
26/6/ 2009 (Fri), 7:30pm – 9:30pm
Searching for estimate space
Choreography and Installation 編舞及裝置| Alessandro Carboni
Performers 表演者| Song Nan, Cheung Sau King, Tsui Ivy Yik Chit, Tong Wai Chun Mayson
Music音樂| Dickson Dee
Unrealistic figure between map and shadow
Choreography and Installation 編舞及裝置| Alessandro Carboni
Performers 表演者| Tsui Ivy Yik Chit, Tong Wai Chun Mayson
Music 音樂| Dickson Dee
The measurements as given position
Choreography and Installation 編舞及裝置| Alessandro Carboni
Performers 表演者| Song Nan, Alessandro Carboni
Music 音樂| Dickson Dee
Overlapping discrete boundaries. Kai Tak River, Kowloon Walled City and To Kwa Wan according to my personal geographyvideo, sound and editing 錄像、聲音及剪接| Alessandro Carboni
HD, 30 min, color, video-documentary高清, 30分鐘, 彩色, 錄像紀錄片
Symposium 研討 會:
Hong Kong city: dynamic land for use and art interpretation
香港城市： 活動使用土地及藝術詮釋
27/6/ 2009 (Sat), 11am – 1pm
Visual / media artists, choreographers and urban planners – including :
Prof. Chang Ping-hung (Architect), Choi yan-chi (Experienced Visual Artist) and Xing Liang (Resident Artist, City Contemporary Dance Company) will sit down face-to-face with Carboni, and openly discuss the curious relations between urban transformation and different art practices.
Workshops工作坊 :
LaDU_HK (Multimedia Lab of Urban Density城市密度的多媒體實驗室)
27/6/ 2009 (Sat), 2pm – 5pm；28/6/2009 (Sun), 2pm – 5pm
Inspired by the article “Terrae Incognitae: The Place of Imagination in Geography” by John K. Wright, Carboni aims to explore new methodological modalities in examining the relations between choreography, urban geography and generative code.
卡邦尼從萊特 (John K. Wright)撰寫的文章“Terrae Incognitae: The Place of Imagination in Geography”取得靈感，探求研究編舞、都市地理學及衍生碼的方法論。
For enquiries, please contact us via info@oneaspace.org.hk or by 25290087.
Website網址: www.oneaspace.org.hk
Facebook: 1a space
Address地址: Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kln, H.K. 香港九龍土瓜灣馬頭角道63號牛棚藝術村14號
1a space is seeking a full time Gallery Coordinator and a full time Gallery Attendance, working 5 days per week (including weekend days), to start in July 2009.
Gallery Coordinator (Full time)
Responsibilities:
-Writing grant applications /funding proposals/grant and program
reports/press release
-Managing exhibition installation and communicate with artists, curators and the press
-In charge of volunteer and internship programmes
-Handling publicity and external affairs
-Coordinating 1a space’s exhibitions, events and publications
-Handling daily administrative tasks
- Responsible for the operation of gallery
-Actively promote 1a space’s programmes
Entry Requirements:
-Excellent command of both written and spoken Chinese and English
-Good interpersonal skills
- Skills in cultural administration
- Familiar with public relation, editing and publishing
- Computer knowledge is essential
-Degree or above, major in fine arts, design, media, comparative literature or cultural studies preferred
-1 year working experience in art and culture related organizations,
fresh graduates will also be considered.
-Ability to work independently
-Self-motivated, hardworking
-Passionate in contemporary art
Gallery Attendant (Full.time)
Responsibilities:
-Responsible for the operation of gallery
-Coordinate 1a space’s exhibitions, events and publications
-Handling daily administrative tasks
-Actively promote 1a space’s programmes
Entry Requirements:
-Good command of both written and spoken Chinese and English
-Good interpersonal skills
-Computer knowledge is essential
-Sub-degree or below level, major in arts, design, media, or cultural studies preferred
-1 year working experience in art and culture related organizations,
-fresh graduates will also be considered
-Ability to work independently
-Self.motivated, hardworking
-Passionate in contemporary art
Application:
Gallery Coordinator (Full.time):
Interested parties please send your application with CV, a press release about one art
exhibition or program in Chinese and English and expected salary
Gallery Attendant (Full.time):
Interested parties please send your application with CV and expected salary
to 1a space, Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan,
Kowloon, Hong Kong on or before June 15th 2009. Submissions via email or fax are not
acceptable. Only short listed candidates will be contacted.
*data collected will be used for recruitment purpose only.
For enquiries, please contact Kiki Ho via email info@oneaspace.org.hk or at 2529 0087.
Some local artists have called attention on the implications of the LV show to the gneral welfare of artistic development in HK. Here’s a portion of their petition:
香港藝術館上月展開其策劃的《路易威登：創意情感》特別項目，基本上令使到運用公帑的藝術館，淪成為了商家的宣傳平臺；作為一公營部門/一所公共藝術館，香港藝術館對於自身與商業機構合作的潛在風險警覺度不足，對公共資源的合適運用把關不力，我們作為香港本地藝術工作者，對此狀況感到非常的憤怒。
是次事件無疑牽涉多個層次的問題，但我們認為，事件的根本問題，在於「特別項目」為何會／是如何出現。我們並不想僅從最後出來的種種現象，判斷藝術與商業在展覽是否走得過近云云；我們憤怒的，更是在於為何這種官商交涉之事會能夠成為可能的那基礎。對我們而言，這是在事件眾多可能的討論項目中，最該得到首要關注的項目。
我們質疑，特別項目的如何出現、成為可能，本身就是揭示出是次事件為「官商勾結」一宗！否則，藝術館怎會既沒有預視、亦至今仍不甚警覺到此次特別項目本身牽涉的商業元素的敏感性，並不合適於其現時作為一所以公帑營運的公共藝術館的身份與形象去進行? 藝術館容許這一步發生，就經已埋種下惡根。
Details of petition and open letter to the Museum Chief:
http://www.gopetition.com/online/28759.html
Related articles 相關資料：
- 藝術發展靠衣裝？ / 文：劉建華 >> http://www.inmediahk.net/node/1003284
- 王子的新衣 / 文︰程展緯 >> http://inmediahk.net/node/1003593
- 更多資料請參見 香港藝術搜索頻道 >> http://hkadc.blogspot.com/
The panel ‘Gender and History of Education in Hong Kong’ is part of the coming conference on “EDUCATION AND HERITAGE” at the Hong Kong Institute of Education
Date/Time: June 26th, 2009/ 2.30 – 4.00 pm
Venue: D2-LP-17
Language: English
Please visit http://www.ied.edu.hk/ceeh2009 for more information.
About the panel:
In the past decades, theoretical developments in academia have stimulated researchers to seriously rethink some pertinent historical questions such as what constitutes “history”, who are the “historical subjects”, and what can be counted as “historical materials”. Gender studies, among others, is an important impetus to this exciting reconceptualisation. The three papers in this panel, with different empirical focus, will illuminate the usefulness of a gendering perspective in broadening our understanding and writing of history of education in Hong Kong. Together, they uncover voices and experiences of women, be they of young girls, women teachers, or university women, which have been silenced, hidden, and seldom studied in the field. More importantly, the theoretical and methodological issues that these papers raise will help destabilize conventional discussion! s of the educational policies in colonial Hong Kong, the history of the teaching profession, and “educative influences”, and thereby open up new areas of concern.
Moderator: Ms. Evelyn Ng (Women’s Studies Research Centre, University of Hong Kong).
Paper 1: “A position of usefulness”: Gendering history of education in colonial Hong Kong (Patricia Pok-kwan Chiu, PhD candidate, University of Cambridge).
Paper 2: More than a change in number: Gendering the historical development of primary school teaching in Hong Kong (Dr. Anita Kit-wa Chan, Department of Mathematics, Science, Social Sciences & Technology, HKIEd.
Paper 3: Autobiography as archive and educational philosophy: Case studies of Hong Kong women’s stories of self (Dr. Staci Ford, Department of History, University of Hong Kong).
1a space is seeking a full time Gallery Coordinator and a full time Gallery Attendance, working 5 days per week (including weekend days), to start in July 2009.
Gallery Coordinator (Full time)
Responsibilities:
-Writing grant applications /funding proposals/grant and program
reports/press release
-Managing exhibition installation and communicate with artists, curators and the press
-In charge of volunteer and internship programmes
-Handling publicity and external affairs
-Coordinating 1a space’s exhibitions, events and publications
-Handling daily administrative tasks
- Responsible for the operation of gallery
-Actively promote 1a space’s programmes
Entry Requirements:
-Excellent command of both written and spoken Chinese and English
-Good interpersonal skills
- Skills in cultural administration
- Familiar with public relation, editing and publishing
- Computer knowledge is essential
-Degree or above, major in fine arts, design, media, comparative literature or cultural studies preferred
-1 year working experience in art and culture related organizations,
fresh graduates will also be considered.
-Ability to work independently
-Self-motivated, hardworking
-Passionate in contemporary art
Gallery Attendant (Full.time)
Responsibilities:
-Responsible for the operation of gallery
-Coordinate 1a space’s exhibitions, events and publications
-Handling daily administrative tasks
-Actively promote 1a space’s programmes
Entry Requirements:
-Good command of both written and spoken Chinese and English
-Good interpersonal skills
-Computer knowledge is essential
-Sub-degree or below level, major in arts, design, media, or cultural studies preferred
-1 year working experience in art and culture related organizations,
-fresh graduates will also be considered
-Ability to work independently
-Self.motivated, hardworking
-Passionate in contemporary art
Application:
Gallery Coordinator (Full.time):
Interested parties please send your application with CV, a press release about one art
exhibition or program in Chinese and English and expected salary
Gallery Attendant (Full.time):
Interested parties please send your application with CV and expected salary
to 1a space, Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan,
Kowloon, Hong Kong on or before June 15th 2009. Submissions via email or fax are not
acceptable. Only short listed candidates will be contacted.
*data collected will be used for recruitment purpose only.
For enquiries, please contact Kiki Ho via email info@oneaspace.org.hk or at 2529 0087.
